Jan 272014
 

Slide1Periodically I have gotten requests for either audio or video of the talk I gave at Living Game Worlds IV back in 2008. I have the slides, but they aren’t even posted up here, and honestly, without the actual talk, they don’t make much sense.

My talk was complex. I just watched it, and honestly did not remember it all; how it came together linking railroad yards, the first major copyright case, Kenyan mobile phone companies, Wagnerian opera, text muds, shipping containers, molecular biology, microtransactions, and of course, the future of games. But yeah, it hit on all that and more.

Videos from LGW IV (mine is “evening keynote”).

It still feels rather relevant today, even if my ending on Metaplace doesn’t. In many ways, what I was talking about has come true via indie games, Unity, Twine, Gamemaker, and countless other “banjos.” In fact, I am particularly hopeful that it will be watched by those who see me as a ludological fundamentalist or representative of “the old guard” or whatever, as there is a moment in there where I jeer at Game Informer magazine for the ludicrous term “impostor games” they used for games that were not challenge-based. FWIW, I also bluntly call MMOs colonialist and racist at one point.

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Guardian picks Six Gaming Books

 Posted by (Visited 9048 times)  Game talk, Reading  Tagged with: ,
Jan 122014
 

At #2:

Penned by veteran games designer Raph Koster, A Theory of Fun was written 10 years ago, a long time considering the rapid pace of advance for its subject matter. And yet the book remains a key games design text that is still in print and highly relevant. While it was conceived to help games designers, it will be fascinating and informative for anybody involved in any field of design, or those curious about, well, harnessing the power of fun …

— Six of the best gaming books | Life and style | The Observer

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Aug 272013
 

I did a little interview with Patrick Miller for Gamasutra, as part of the run-up to GDCNext. A snippet:

How do you see the role of games (and the kind of experience players expect) changing? Are there any games/other work do you see around you now that is indicative of an emerging trend in this regard — something which you think you’ll later point to as a watershed moment in the evolution of video games?

It feels like we are swimming in this water already and not realizing it. Just recently, Gone Home charted on Steam above some big AAA releases. That’s a landmark moment right there. The press has already turned the corner to a significant degree – the debates over the artistic merits of a title like BioShock Infinite were already louder to my ears than the sort of traditional review discussion we used to get. The titles under discussion by craftspeople at conferences are the indie games, not the AAA games. We’ve seen the rise of artist enclaves, bohemian attitudes, old guard resistance, jejune manifestos (mind you, I think virtually all manifestos are jejune) and all the rest.

I think the floodgates are open. We’re at the point now where the kids who grew up with widespread “mass market” gaming are adults and are steeped in the gamer culture and mindset, and with that is coming all the self-examination, the desire to see substantial thematic content, and so on. The revolution has happened.

via Gamasutra – What’s Next? Koster talks ‘the revolution’, future of games.

I am sure I will take flak for the jejune bit. #nodads 😉

Jun 062013
 

In the wake of Indie Game: The Movie, I was asked on Quora about other works that are descriptive of gamer culture, suitable for someone who doesn’t play games, isn’t trying to learn how to make them, but rather is interested in learning about gamer culture.

Something that presents the human side, rather than the technical, and doesn’t assume a lot of prior knowledge. As many of you know, portrayals of the gaming hobby in the mass media have often been rather sensationalistic or inaccurate.

So here’s a quick list of ones that I have enjoyed and recommend for this purpose. It’s not in any particular order. I avoided “business books” that are more about how a company was built, in favor of ones that tell human stories.

In terms of being interested  in gaming culture, and game development culture, but not in “how-to” books, I would recommend: Continue reading »

Apr 262013
 

This video by Matthias Worch is superb, an explanation of the communication gap that was exposed so sharply by “A Letter to Leigh.

“Talking to the Player – How Cultural Currents Shape and Level Design” | You Got Red On You.

In short, after seeing this, it feels like I have been arguing very much from a combination of the oral tradition and the digital culture — likely because of my background in online games. And the aesthetics of print culture are pretty much exactly the things I was commenting on seeing.

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